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The Daily Triptych033 / 365

2 FEB 2026

Day 33

The fundamental problem of communication is that of reproducing at one point either exactly or approximately a message selected at another point.

Claude Shannon · A Mathematical Theory of Communication
A limestone relief carved in mid-relief showing two figures: a kneeling woman on the right drawing a thorned rope through her tongue, and a standing man on the left holding a flaming torch above her. The surface is covered with Maya glyphs.

I · THE OBJECT · BRITISH MUSEUM

Yaxchilán Lintel 24

Maya · about 723–726 AD · Limestone

A queen draws a thorned rope through her tongue while her husband watches. The carving names them both, records the date, and carries the sculptor's signature.

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II · THE IDEA · ARTIFICIAL INTELLIGENCE

Models Without Positional Encoding

Transformers · Decoder-only · Kazemnejad et al., Haviv et al.

A decoder-only transformer trained without any positional encoding still learns which token came first. The causal mask leaks enough information that explicit position becomes optional, not mandatory.

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Written before source checking was enforced · facts in this lesson are unverified

Two women lean over a man on a bed, one pressing a sword through his neck, the other pinning his shoulders and head. Blood spurts in two streams. The man's mouth is open, one arm raised.

III · THE WORK · ART HISTORY

Artemisia Gentileschi's Judith Slaying Holofernes

Artemisia Gentileschi · Judith beheading Holofernes · Oil on canvas

Artemisia Gentileschi painted Judith and her maidservant leaning into the act with their full weight, blood following gravity, the blade halfway through. Caravaggio painted the same subject differently.

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